In Titanic Rising, Natalie Mering’s fourth Weyes Blood album, contrasts rich, orchestral instrumentation with focused, interpersonal songwriting. It almost shouldn’t work, but Mering pulls it off brilliantly. The almost-too-grandiose music perfectly matches the personal, incredibly relatable tales Mering sings about on Rising. This album wears its Beatles influence on its sleeve, but it’s not sappy…
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They came back, twice!
She's back, too!
Finally, the boys are back in town.